Visual Dialogues | The Book of Kings | Shirin Neshat & Fereydoun Ave | March 2019
Secret of Words
Mehran Mohajer & Sadegh Tirafkan
November 2006
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Total Arts Gallery at the Courtyard and Massoud Nader Present exhibition of Photography by Sadegh Tirafkan with support of Silk Road Gallery this exhibition is accompanied by photographs of Mehran Mohajer Sadegh Tirafkan is a persevering artist who navigates through time and culture in search of his place and identity as an Iranian man in the contemporary world. The medium of photography has become his main platform to construct powerful visual plays, using a combination of elements that he seasons sufficiently with symbolism.
The significance of symbolism throughout Tirafkan’s body of work comes from his Persian root in which direct dialogue is rarely used, but frequently replaced by symbolic languages. How do you inform a culture that has three thousand years of history, rich in tradition and essentially a homogenous and male dominated society? Tirafkan expresses his concerns through images of numerous self-portraits and portraits of friends. He once said, "I began photography by recording what surrounded me. Now I take what is around me in the studio and make it into what I see through the prism of my life and culture." Tirafkan poses himself and others in the studio time after time to explore the meaning of being a contemporary Iranian. Blending tradition, history and memory, he recreates visually compelling scenes that build visceral connection to his ancient country. And this is where the strength and beauty of Tirafkan's work lie.
In reinventing and revisiting Iranian tradition he is also criticizing and challenging his ancestors' long-standing authority. In spite the highly eloquent appearances; I see two hidden trends in his work, which the artist has perhaps introduced even without realizing it: a theatrical staging of all the historic drama of his country, all the painful events of which he experienced intensely, and a discreet journey towards a spirituality which emanates from his whole vision. Here, Tirafkan surreptitiously rejoins the mystical quest which remains, whether we like it or not, the key-stone of any metaphysical edifice of the Iranian world. Born in Iran in 1965, Tirafkan trained as a photographer at the University of Fine Arts in Tehran. Since the late 1990’s he has participated in numerous solo exhibitions and group shows, in Tehran, Paris and New York.
Tirafkan’s work offers an eloquent meditation on modern Iranian man’s relationship to his past and on his search for a meaningful identity in the present. Identity, history and memory have been central concerns in the work of non-western artists since the era of colonialism. Tirafkan, frequently using himself as a model, revisits and reinvents these themes in his series of enigmatic yet visually compelling photographs. He uses words and symbols to communicate with the audience and
Abstract & Lanscape
Mohseni Kermanshahi
February 2005
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A. Mohseni was born in 1960, in Kermanshah west of Iran. He started painting with Master Rahim Navesi before moving to Tehran. He held his first one-man show in 1994 and has come a long way from his humble beginnings. Landscape, traditional life and nature were always his main subjects to paint and after moving to UAE he found this passion in the local scenery. T
his exhibition would be an exceptional one in Mohseni’s career since he is entering a new period after 10 years of professionally painting landscapes and still life witch is still the close to Mohseni’s heart in a different way. Mohseni has participated in more than 40 solo and group exhibitions in Iran including Tehran Contemporary Art Museum, Australia, Kuwait and the UAE. Mohseni has won a special award from Tehran Contemporary Art Museum as the best Artist of the year in 1996. Mohseni has published 2 books, which are: 1. Nature in the painting of Abdol Hossein Mohseni 2. Painting of Abdol Hossein Mohsenis He is working on two new books at present.
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Ali Golestaneh
December 2014
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Ali Golestaneh’s painting career started in the faculty of Fine Arts at the University of Tehran in 1960. His progressive artworks were objected by his professors and he was discharged from the faculty. He moved to England in 1969 where he was working as a designer and illustrator.
During his stay in Spain between 1979 to 1987, color pencil was Ali Golestaneh’s main medium. He has painted significant number of landscapes, seascapes, places, daily life and people in the cafe or at the beach in Madrid and Ibiza Island. Color pencil remained as his favorite medium for many years even after his return home.
Fascinated by the beauty of human body and faces, especially that of women, Golestaneh has been painting live models and people, weather his housekeeper, street people or long time friends. He believes that human body is beautiful and scared, from birth to death.
Today he rarely works with color pencil, but mostly with gouache and oil. Less likely for him to go out, sit and paint in the street or nature (except short weekend trips to the beautiful valley of Talaghan, west of Tehran). He spends most of his time at his home/studio and paints his immediate and very real surroundings.
He is presently working on a series of black & white illustration-like paintings as an homage to Tehran of 1950-1960, the golden age of Tehran, of the café scene and grand parties of the rich and the famous, the way that he remembers it.
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